During the Vietnam War music played a major role in the anti-war efforts. Anti-war and pro-war songs were used during protests, specifically rock and country songs. During that time and still today most popular rock and country music was and is anti-war and pro-war music that expressed the opinions of many Americans. Anti-war music became so popular that it actually helped the entire music industry grow. For example “An astonishing fact is that there were over 120 songs written by country-western singers in support of the war. Over a hundred pro and antiwar songs became popular during this period and it led to the growth of both country and rock music. There were about 80 country music radio stations in 1961and by the end of the 60s there were over 600 country music stations. Record sales for country music sales had tripled by the end of the decade. Older artists like Pete Seeger, Malvina Reynold, and Peter Yarrow began protesting America’s involvement when troops were first sent to Vietnam as military advisors.” From weebly.com
In the 1960s, several now-influential artists appealed to the disaffected counterculture’s emphasis on peace and love, especially with the sliding approval rates of the Vietnam War. As public approval of the Vietnam War dwindled in the latter half of the 1960s, popular music artists began to record songs that reflected this disapproval and ultimately became a new method of protest.
To begin, the highly-influential folk musician Bob Dylan recorded the song “The Times They Are A-Changin’.” Written in 1963, just before the public began to disapprove of America’s involvement in Vietnam, the song features a simple melody played by Dylan’s acoustic guitar and harmonica. The lines “There’s a battle outside/and it’s ragin’/it’ll soon shake your windows/rattle your walls” are an obvious reference to the Vietnam War.
Moreover, a 1966 anti-war music poster advertised the popular rock groups Jefferson Airplane and Mystery Trend. The event, a benefit dance held at the University of California at Berkeley on March 25, 1966, features a large war scene drawing at the center. The war scene, colored in red, white and black, features combatants wearing helmets and holding machine guns, while avoiding explosions triggered by bombers flying overhead. At the top of the scene, the words “Vietnam” can be seen in the same font that the military uses. Below “Vietnam,” the word “Peace” can be seen scrawled in white lettering.
Furthermore, John Lennon, an ex-band member of the popular rock group The Beatles, recorded a song called “Give Peace a Chance” in 1969. The popular song is essentially a live cut, recorded by crowding several people into a Montreal recording studio. Backed only by Lennon’s guitar, a tambourine, and the chants and claps of people, the song asks the listener to ponder the main chorus, “Give Peace a Chance.”
In addition, the August 1969 Woodstock Music festival is arguably the most influential musical event that spread the message of peace towards the close of the decade. Billed as “Three days of peace and music,” the event attracted several thousand concertgoers, mostly due to its vast lineup of several well-known rock artists. Perhaps the most memorable act came from influential rock guitar virtuoso Jimi Hendrix when he played a searing rendition of America’s national anthem, “The Star Spangled Banner.”
Equally important, Edwin Starr’s Motown anthem “War” convinced many listeners of the complex horrors of the Vietnam War through an instantly-recognizable melody. The song, written in 1969, is perhaps the most direct anti-war protest song ever recorded. The song, a combination of Starr’s shouts and sudden rhythmic beats, is like a war scene in and of itself. The beginning verses, “War, huh, yeah/What is it good for/Absolutely nothing” speaks in general terms, but begins to become more specific.
Much of popular music in the 1960s was another means of protest for an audience that was against the Vietnam War. Several now-influential music artists used their talents to appeal to a wide audience that was against the war. This is shown through Bob Dylan’s “The Times They Are A-Changin’,” the anti-war concert poster at Berkeley, John Lennon’s “Give Peace A Chance,” Jimi Hendrix’s rendition of the “Star Spangled Banner” at Woodstock, and Edwin Starr’s “War.” Not only has music been a direct means of anti-war protest, but the culture of peace and love, seen especially in the Woodstock festival, has also pervaded the minds of the public.
Posters advertised these artists and this culture by appealing visually to those that were against the war. Video clips, which are easily circulated, allow posterity to view how artists played their songs and how the audience reacted. While catchy melodies can capture a listener’s attention, the lyrics of the music spoke to the minds of a disillusioned generation. In many ways the 1960s represented the forefront of using music, and the accompanying culture, to speak out against war.
The original article was originally published in http://www.inquiriesjournal.com/articles/713/protest-and-rock-n-roll-during-the-vietnam-war
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